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Choral singing in preschool age in perspective Kühn's Children's Choir
Hrubá, Anna ; Valášek, Marek (advisor) ; Kmentová, Milena (referee)
This work discusses the musical development of a child in preschool age and work on it, as well as how choral singing contributes to it. In the theoretical part of the work, you will find the basic developmental components that a child goes through in preschool age and how they should be worked on in order for the development to be balanced. Furthermore, the thesis deals with choir singing in preschool age, who is the choirmaster, what is his role in the choir and who is a member of the choir and how to become one. One of the main parts of the work is a discussion of Kühn's children's choir, which is one of the best choirs in Europe and is very close to me. Here you will find the history of the choir and information about its founder, Jan Kühn, after whom the choir is named. Part of my work is also the present day of the choir and its existing workers and today's activities.
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Boys Choir Pueri Gaudentes
Chytil, Jan ; Veverková, Jana (advisor) ; Stříteská, Leona (referee)
Theoretical part deals with the foundation of the choir and its history, describes the cooperation with The Prague State Opera, well-known conductors and corps, discography, participation in domestic as well as foreign competitions and festivals or concert tours and other important performances. Further it defines the system of the inner structures of the choir, repertoar, the leading members and new corps, which were connected with Pueri gaudentes at the time of their origin. Practical part is focused on the interviews with former members of the choir, who are still active in the musical area. Powered by TCPDF (www.tcpdf.org)
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Prague Hlahol Choir
Dandová, Lenka ; Veverková, Jana (advisor) ; Stříteská, Leona (referee)
The introductory chapter of this Thesis describes the development of choir music in Bohemia, starting with unison singing, through polyphonic singing, proceeding to forming of literary societies, and, finally, the form of choir singing as we know it today. In the theoretical part, we use the most important historic and social moments of the Prague Hlahol Choir to illustrate almost 155 years of its existence. The following chapter reflects the most significant concerts, introduces the choir's repertoire and how it changed through times, mentions premieres of choir masterpieces, cooperation with other significant choirs and prominent musicians. In the practical part, we reprint the interviews with long-time choir members and personal experience of some of the artists who have cooperated with the Prague Hlahol Choir. To complete this Thesis, we used anniversary almanacs, annual reports, historic documents and photographs, etc. We also included personal views of the choir members, choir leaders and the prominent musicians who have cooperated with the choir. Based on the assembled data, we can evaluate the progress the choir has made, the changes it has undergone and also the impact it has made from the day it was established. The main contribution of this Thesis is that it brings the overview of the...
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Prague Hlahol Choir
Dandová, Lenka ; Veverková, Jana (advisor) ; Stříteská, Leona (referee)
The introductory chapter of this Thesis describes the development of choir music in Bohemia, starting with unison singing, through polyphonic singing, proceeding to forming of literary societies, and, finally, the form of choir singing as we know it today. In the theoretical part, we use the most important historic and social moments of the Prague Hlahol Choir to illustrate almost 155 years of its existence. The following chapter reflects the most significant concerts, introduces the choir's repertoire and how it changed through times, mentions premieres of choir masterpieces, cooperation with other significant choirs and prominent musicians. In the practical part, we reprint the interviews with long-time choir members and personal experience of some of the artists who have cooperated with the Prague Hlahol Choir. To complete this Thesis, we used anniversary almanacs, annual reports, historic documents and photographs, etc. We also included personal views of the choir members, choir leaders and the prominent musicians who have cooperated with the choir. Based on the assembled data, we can evaluate the progress the choir has made, the changes it has undergone and also the impact it has made from the day it was established. The main contribution of this Thesis is that it brings the overview of the...
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Boys Choir Pueri Gaudentes
Chytil, Jan ; Veverková, Jana (advisor) ; Stříteská, Leona (referee)
Theoretical part deals with the foundation of the choir and its history, describes the cooperation with The Prague State Opera, well-known conductors and corps, discography, participation in domestic as well as foreign competitions and festivals or concert tours and other important performances. Further it defines the system of the inner structures of the choir, repertoar, the leading members and new corps, which were connected with Pueri gaudentes at the time of their origin. Practical part is focused on the interviews with former members of the choir, who are still active in the musical area. Powered by TCPDF (www.tcpdf.org)
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Kühn Children's Choir (Prague philharmonic children's choir)
Scheinostová, Zuzana ; Veverková, Jana (advisor) ; Pecháček, Stanislav (referee)
The theoretical part of this MA thesis outlines the history of the Prague Philharmonic Children's Choir, its cooperation with Prague's leading stages, with outstanding Czech and international musical ensembles and conductors, as well as important concerts and appearances at prestigious festivals. It introduces the personalities who have held the position of choirmaster, and it surveys the choir's repertoire and discography. A short chapter is dedicated to the present situation of the choir and its present artistic guidance. The practical part comprises interviews with personalities who are, in various ways, linked with the Prague Philharmonic Children's Choir. A separate chapter is dedicated to a questionnaire which was given to members of the concert section of the choir and which covers the reasons and motivation for entering the choir and remaining there, the musical background in families etc.
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